Monday 12 July 2010

Intertexuality and music videos

Cinema has allowed artists and record labels to bring music to life through the medium of music videos. Advances in technology have made it able for produces and directors to go beyond the expectations of what a music video could be, and we have seen revolutionary music videos being made every few years. Surprisingly, music videos have in fact been around since the 1920's, with many Jazz musicians at the time (such as Bessie Smith) making short films to accompany their popular songs. In the 1970's, the record industry discovered that TV shows could be used as a great way to promote artists. Record labels started to focus on creating short promos which were seen as early music videos, replacing live performances on TV shows. In 1975, Queen released the revolutionary video for Bohemian Rhapsody which marked the beginning of the music video era and set the scene for modern music videos, with its ground breaking use of advanced visual effects.

As the advances in music videos continued, they became more than just performance based and tended to look more and more like short films, television shows or video games. Goodwin also proposed that 'There is often intertextual reference between films, TV programmes, and other music videos'. Many well known directors such as David Fincher, Spike Jonze and Michael Gondry started out making music videos, using this medium as a way to show off their skills and using the opportunity to be creative and make these videos look like short films.

Music videos that have been made to look like films -



Madonna's "Material Girls" video is one of the most notable videos that was based on an actual film, basing its style on the Marilyn Monroe film "Gentlemen Prefer Blondes". In the video, Madonna is dressed as Marilyn Monroe's character from the film and tends to imitate one of the dance scenes from the film. The narrative of the music video has also adopted a film style, with many of the scenes being acted out without the music.



Michael Jackson's "Thriller" video is also a very famous example of a music video that adopts a film style, having a very similar style to the film "An American Werewolf In London". The music video depicts the lyrics of the song very well and gives off the thriller/horror movie vibe. This music video also has many scenes that are acted out without the music playing, giving it a more professional film look and the uncut version is also a lot longer than a usual music video, which would be about 3-4 minutes long.



30 Seconds To Mars' "The Kill" video is once again a brilliant example of a music video that is based on a film. The video was inspired by the film "The Shining" and the narrative surrounding the video is very similar to the story in "The Shining". The music video was also shot at the same place that the movie was actually filmed at, taking it to the next level of basing a music video on a film. Once again, it uses scenes that have been acted out without music to give it the film look and is also much longer than a normal music video. However, unlike the other examples I have used this video cuts back to shots of the band performing the song as well as following the story.

Music videos that have been made to look like television programmes -



REM's "Bad Day" video has been made to look like a news programme. This video seems to mock news programmes and the way news reporters deliver the news, as the singers lip sync to the song whilst pretending to be typical news reporters delivering the news off an autocue. As the song is called "Bad Day" they play on this in the video, insinuating that everything you hear on the news is pessimistic and melancholy.



The Beastie Boys' "Sabotage" video is a spoof of cop shows. The band are intentionally badly dressed up as cops to add humour to the video and the shots adopt a fast pace which you would usually see in cop shows.

Music videos that have been made to look like video games:



Red Hot Chili Peppers' "Californication" video has been made to look like a video game, with influences from many video games of its time. The video consists of a game where a third person point of view sees each of the band members off to some sort of adventure, eventually concluding with all of them meeting at the center of the Earth. There are many homages to the bands logo in the video, using it as checkpoints for the game.



MC Lars' "Guitar Hero Hero" song and video is a spoof of the Guitar Hero craze among children. In the video MC Lars dresses himself to look like a typical Guitar Hero player and we see many references to the game throughout. Other than being a very creative and entertaining video, it is a good marketing tool as people who like the game will want to watch the video and people who like MC Lars may want to go out and play Guitar Hero after watching the video, therefore this is a good use of synergy.


What I would do:

If I were to use the idea of intertextuality, I would like to base my music video on a film, or at least have it inspired by a film. This way, fans of that film in particular would want to see my music video because of its likeness to the film, which could build a bigger fan base for my artist. It would also provide a better storyline for my music video, possibly making it more narrative.

Narrative, Performance based and concept based music video analysis

I have found that there are 3 main types of music videos: Narrative based, Performance based and Concept based.

Narrative based music videos have a storyline, and tend to follow that storyline throughout the whole of the video. Notable uses of narrative based music videos are Aha's "Take On Me" video and Bon Jovi's "Always" video.

Aha - Take On Me



This video has a storyline consisting of a woman in a coffee shop reading a comic book about competitive motorcycle racing in which the hero is pursued by two villains. After the woman recieves the bill for her coffee from a waitress, the winner of the race winks at the girl from the comic book and reaches his hand out for her to enter his animated world. As the waitress comes back to pick up the bill she thinks the woman has left without paying, and angrily crumples up the comic book and throws it in the bin. The crumpled pages lead to the two motorcycle villains to crossing over into the panels containing the motorcycle race winner and the girl. This leads to a struggle between the hero and the villains, of which the girl eventually escapes by the hero tearing a hole in one of the comic book pages so she can get out. She reappears on the floor in the coffee shop and takes the comic book home, trying to flatten out the pages to see what happens next. One of the pages shows the hero seemingly dead, and the girl begins to cry. The hero then wakes up and begins throwing himself against the edges of the panel of the comic book's page, attempting to break out into the real world. As he does this, he begins to flash between animation and a real, living person. The real life version of him appears in the hallway leading to the girl's room, throwing himself against the corridor walls. He finally escapes from the comic book by becoming human and embraces the girl.

This video is not restricted to just being narrative based though, as there are some scenes of the band performing in the narrative setting and as the hero is played by the bands lead singer he tends to lip sync to the song during some of the narrative parts of the story. As the song goes on, the drawn animated images tend to become more fast paced to go along with the fast pace of the song and the urgency of the situation where there is the struggle between the hero and the two villains. This is a very unique narrative based video as it is mostly animated in a comic book fashion and tends to mix this with live action scenes, something that around the time of the videos release had never been done before and therefore it gained many awards and was seen as a revolutionary music video.

Bon Jovi - Always



This video follows the storyline of a man looking back on his past relationship. The opening scene shows us the man lying on his bed looking at a picture of his ex girlfriend. The video then flashbacks to what his relationship was like before and how he cheated on his girlfriend with her friend/roommate. His girlfriend then runs away and seeks comfort with another man who paints her and she ends up sleeping with him, the girlfriend then calls up her boyfriend to come and get her from this mans apartment. When the boyfriend comes to pick her up they initially reconcile but after he finds the picture the man painted of his girlfriend he starts trashing his apartment, much to his girlfriends distress who ends up leaving him for good. The boyfriend then continues to set the apartment on fire and leaves, walking past a crowd of onlookers, firemen and the man whose apartment it was. We then go back to present day, where the boyfriend is standing in his room and sees his ex girlfriend standing by the door, he goes to touch her face but the image of her fades away and he realises her image was just in his imagination.

This video, much like the "Take On Me" video also shows shots of the band performing the song, and Jon Bon Jovi himself lip syncing along to the song. The video has an almost cinematic feel, or comes across much like an episode of a tv show as it follows a heavy narrative and comes across as realistic, unlike the "Take On Me" video. This video also seems to match the lyrics of the song, as the song is about a man who has broken up with his girlfriend and is saying he misses her and will always love her, much like what is depicted in the video. Again, this video the action in this video also tends to get more intense as the song gets more intense, such as when the boyfriend is trashing the apartment/sets it on fire we get to the climax of the song where Jon Bon Jovi's singing gets more intense and louder. Also, when the boyfriend walks past the man whose apartment it is after he leaves the image is slowed down as the look at each other, which adds to the tension.

Performance based videos tend to show the band or artists mostly performing there song, possibly at a gig or in a studio setting. Two videos that use this kind of video are Green Day's "American Idiot" and Saving Aimee's "Fresh Since '88"

Green Day - American Idiot



This video is made up almost completely of shots showing the band performing the song, or Billie Joe lip syncing to the song along with playing the guitar. However, they have made the video interesting and not just used a standard performance by making each band member perform the song at a different speed, such as Billie Joe performing the song sped up whilst Tre Cool is playing the drums at normal speed, etc. This alternates between band members throughout the video and gives the video an individual, creative edge. There is also a theme of the colour green throughout the video, supposedly to go along with the bands name "Green Day". As this is a theme throughout the video it gets stuck in the viewers mind and reminds them of the bands name. There is also an American flag behind the band members as they are performing the song, this is used in an ironic way as the song is about not wanting to be an American idiot. The flag is also green which goes along with the theme of green in the video but also contrasts with the usual red white and blue, making it seem like it is decaying which could also go along with the lyrics which promote a bad view of what America has become. Being a highly political song, Green Day have chosen to use rapid fast paced shots to show their individuality and this promotes anarchy, this is also shown when they smash their instruments at the end of the video which shows their sense of rebellion, which contrasts with the view of what America is today.

Saving Aimee - Fresh Since 88



This video is completely performance based, showing only shots of the band performing throughout. The colouring of the video is black and white which makes it stand out and sticks in peoples minds as usually videos are in colour, especially Saving Aimee's other videos such as "We're The Good Guys" which is full of bright colours. There are a range of fast paced shots that seem to go in time with the music and close ups of the band members which shows they want this video to just focus on the music and the band. However, to make this video different from normal performance based videos it has a range of special effects such as splashes of light that look like water/paint coming from the drums at the beginning of the video as the drummer hits them and sparks of light coming from the machine heads of the guitars as they move. This catches the viewers eye and makes the video more interesting and makes people want to watch more. The lead singer of the band is has also got a line of face paint on his cheek, which gives the look of the band a sort of 80's feel as the song itself has an 80's sound.

Concept based music videos tend to have no storyline, they are generally a random concept and sometimes tends to not tie in with the band or theme of the song at all. A video that is concept based is OK GO's "Here It Goes Again".

OK GO - Here It Goes Again



This video shows the band performing a dance routine on 6 treadmills, a very original and abstract idea that has never been done before for a music video. It would have had to be shot in one take for continuity, which would have put pressure on the band members to not make any mistakes. The routine is flawless in the video, apart from at about 1 minute in where the man on the front left treadmill starts to fall off, but it is barely noticeable as he recovers well. Another point in the video that could have been as mistake is the very beginning where the man is trying to turn on the CD player and it wont work, however this could have been a deliberate mistake to add humour to the video. The routine is in time with the music and the band tend to do tricks in their routine at key points during the song, making the routine more catchy and eye grabbing, making viewers want to keep watching. This concept was a very simple, yet effective video and soon became a viral hit, giving the band much promotion and success.

What I would do:

As I am in the midst of choosing my artist, I am currently unsure as to what kind of music video I would like to make as it would depend on the song. However I am interested in doing a narrative music video, as I have found through talking to people that they prefer music videos that follow a story or have some deeper meaning to them. Then again, I have found that concept based music videos tend to be more successful and end up going viral (as seen with OK GO) and therefore create a bigger fan base for the band/artist. I feel that concept based videos are also more creative and original, so this may be a path I end up going down. I would like to find a way to mix these two kinds of videos, but this will take extra research and finding the artist and song I will be using in order to come up with an idea to make this work.

G324 Advanced Portfolio - Music Video

For my A2 Media coursework I will be creating a music video. Our brief for our coursework included:

A promotion package for the release of an album, to include a music promo video, together with two of the following three options:

1. A website homepage for the band
2. A cover for it's release as part of a digipak
3. A magazine advertisement for the digipak

At present I am considering making a music video along with a digipak cover and a magazine advertisement, however this could change after further research.

Also, as we have been told that all materials used must be copyright free, I have been searching for artists to use that are unsigned and have found 3 different songs that I am considering. After further deliberation I will contact one of the artists to ask for their permission to use the song:

1. Alex Day - Georgia
2. Snakes Hate Fire - Heartbreak Beautiful
3. Snakes Hate Fire - Innocent

In order to come up with ideas for my music video and research the different techniques that go into their production, I will be analysing different artists' videos and researching how artists similar to the artist I choose market themselves and their music.